RESEARCH TEAM

SPT Advanced Practitioners
Agathe Peltereau-Villeneuve (France)
Andrea Chlopczik (Switzerland)
Michael Stubberup (Denmark)
Ninni Sødahl (Denmark/Norway)

A RESEARCH JOURNEY

SENSING RESEARCH PARADIGM-SHIFTS

on awareness-based systems change

SPT – Sensing Research Paradigm shifts

How does a collective field sense itself?

A team of four
At a SPT Research Gathering in Denmark, in January 2020, we happened to come together as a small group to do one of the practices – the Stuck Exercise – with the intention to learn more about social archetypes. Trying to make sense of what we had experienced on that day, we embarked on an impromptu collective journey. It started in an immediately ensuing writing retreat. When we were invited to submit a contribution to the first issue of the Journal on Awareness-Based Systems Change, we entered a new round of sensing and prototyping. We decided to dive into the unknown and explore – the liminal phase and landscape between the existing academic research paradigm in the transition to a new research paradigm, and what would this journey feel and look like.

We present here the unfolding of a research journey, a work in progress that reflects 1st, 2nd and 3rd person experience, with specific focus on:

• liminal aspects and shifts
• dynamics between the individual and the collective
• neurophysiological dynamics
• aesthetics and artwork
• contemplative practices

A spontaneous emerging U-process
Our research journey started quite accidentally and unfolded mostly self-organizing, or rather as a “collectively organizing system”, as sympoetic dynamics. As a research team, we started out questioning the paradox of transitioning toward a new scientific paradigm based on a research model rooted in the past. While acknowledging being completely embedded on all levels in the old, and clarifying some of its cornerstones, we actively invited possible transition-steps, and thus became a sort of sympoetic, sensing social entity. We are still in the beginning of an unpredictable organic emerging process, sensed as a kind of “pregnancy”.

Sympoiesis is a simple word; it means “making-with”. Nothing makes itself; nothing is really autopoietic or self-organizing.
Donna J. Harraway (2020)

SPT Social Presencing Theater is a social art form that allows individuals and social bodies to explore their interactive blind spots and potentials. It was developed by artist and choreographer Arawana Hayashi and action-researcher Otto Scharmer.

When referring to specific practices and perspectives, we link directly to the sources of SPT, Presencing, U model.

 

FORMAT

The submission is designed in the format of the present studioLAB website – a prototype with the overall intent to evolve as ‘a living entity’. Our intention behind the creation of a nonlinear, sensory & art-based design is that it may hold and spark further investigations and bottom-up dialogues in the fields of research paradigm shifts and awareness-based systems change.

Our choice of format is embedded in the understanding that we are in the midst of an ongoing paradigm shift, and as such we are part of an emerging process where the academic, advanced practitioner and layperson – all represent unique sources of phenomenological data to inform the paradigm shift sensing process.

To engage and invoke a space of shared 1st person experience, we invite you to practice embodied reading. As you read on, pay attention to:
1: your physical heart

2: the sensation of your body – substance, points of physical contact, energy, temperature, movements, emotions
3: your spatial awareness – with a soft unfocused gaze – connect to the actual physical space you are in – unconditional (neutral) witnessing of the space

 

… We are embodied, living beings who experience events in the world. There is nothing inside which perceives, feels or think – neither a Cartesian mind nor a body-less brain. Consciousness is not an inner state, but an activity of a living being in its world.
Thomas Fuchs (2011)

• THE EXPERIENTIAL GROUND/SPACE

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studioLAB

CO-SENSING RESEARCH PARADIGM SHIFTS

SENSING JOURNEY

– an ongoing living process
– awareness-based research
– cultivating the inner condition
– aesthetics and art

FRAMING and METAPHORES

– living process, organic, non linear
– islands/containers/eggs
– surface, layers, iceberg metaphore

CONTEXTS

January to August 2020

SPT RESEARCH GATHERING, Denmark
WRITING RETREAT, Denmark
SOCIAL MEDIA, WhatsApp group
ONLINE MEETINGS, Zoom

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

A PROTOTYPE

awareness-based research

According to artist Olafur Eliasson, observing a work of art is an activity. It is co-created by the work, the observer, and the world. What exactly happens when these three meet? Their experience and resonance is part of the ongoing process of how a social field could see and sense itself. You, as a reader, see the social field we co-created from a different perspective than us, and can, by your feedback, help us explore our blind spots. Thus, we can see our social field more clearly and sense it deeper.

A PROCESS OF NOT LABELLING

Embodying the question, asking the question ... like hitting a gong ... listening into the openness ... not the answer. Forgetting what you know – befriending the basic paradox – suspending the urge to understand.

"The verbal-intellectual mind functions in terms of abstract generalities that take us away from the richness and diversity of sensory experience – this is both its strength and its weakness."

Henry Bortoft 2012

OLAFUR ELIASSON

ART / ARCHITECTURE / PHENOMENOLOGY

TRANSITIONS

Looking at a work of art that profoundly reflects a feeling that you have but are not yet entirely conscious of having creates what we might call felt meaning. In a way, this mirroring may be a relief to you, if you think: Yes, this work succeeds in acknowledging or holding this feeling that I have but have never verbalized. The philosopher Claire Petitmengin characterizes 'felt meaning' as being at once fuzzy and very intense – it emerges at a deep, pre-reflective level and is inevitably embodied. Instead of being the outcome of just one of our senses at work, felt meanings are often multisensorial, bringing together shapes, density, vibrations, resonance, rhythm…

Olafur Eliasson  – 2015

• THE EXPERIENTIAL GROUND/SPACE

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RESEARCH GATHERING 1/3

CONNECTING

– entering point
– initial connecting
– disturbance
– dissonance

CONTEXT

SPT RESEARCH GATHERING, Denmark
28-30 January, 2020

See Program >>

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• RESEARCH FRAMEWORK and STATE OF AWARENESS

awareness-based research – a sensing journey

We structured our material for this contribution to the Journal in the simplest of ways: describing our collective journey by documenting its beginning, middle, and end. As a beginning, we give an unterstanding of our material as a dance between art making, sensing, and thinking. In the middle, we share with our readers the log-book or our collective sense-making journey. The end is almost a conclusion. But it is not the end of the journey.
(Something about the inner state –  atmosphere of the sensing journey)
Interactive feedback technology to keep the process alive and unfolding further by allowing dialogues and generative conversations with those who will read the texts and/or contemplate the visuals of this website.

• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

FRITJOF CAPRA & PIER LUIGI LUISI

SCIENCE ON LIVING SYSTEMS

Research paradigm and complex living systems

A shift from objective to epistemic science; to a framework in which epistemology – the method of questioning – becomes an integral part of scientific theories…

In the epistemic approach to science, nature is seen as an interconnected web of relationships, in which the identification of specific patterns as “objects” depends on the human observer and the process of knowing. This new approach immediately raises an important question. If everything is connected to everything else, how can we ever hope to understand anything?…

• THE EXPERIENTIAL GROUND/SPACE

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RESEARCH GATHERING 2/3

STAY WITH

– vulnerability
– not knowing
– stuck exercise
– sensing into:
transitions, cracks, surprises
– research paradigm shifts

CONTEXT

SPT RESEARCH GATHERING, Denmark
January 28-30, 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

Initial entry point

from the individual and collective

Own experience (1st person)
It was on Day One during the SPT Research Gathering in Denmark in January 2020. The topic was on investigating archetypes in social fields by building on and adding to previous research initiatives. There seemed to be a certain urge to follow up and gather data on this specific topic. The group of participants were instructed to form smaller group to perform an SPT Stuck Exercise with the aim to gather data to further identify and clarify archetypes patterns in social fields.
RESISTANCE
An individual process of dealing with aspects of dissonance and resistance towards the given task and framing, seemed to be the gravitational force that brought the four of us together.
THOMAS FUCHS

PHILOSOPHY / NEUROPHENOMENOLOGY

”We take a look at the development of social cognition in early childhood …. by the mimetic capacity of their body, they transpose the seen gestures and expressions of others into their own proprioception and movement. Perception, proprioception and action are integrated within a common sensorimotor space ….. its body schema is characterized by a transmodal openness that immediately allows it to imitate others. So what primary intersubjectivity starts with is not mind-reading, but embodied interaction or intercorporality.”  (Fuchs, 2011, p. 207)

”The brain …. is structured epigenetically by the continuous interaction of organism and environment … there is a continuous interaction between experiential process and brain structure. Over time, experiences are sedimented in the form of organic habits, dispositions and interactive schemes that eventually constitute the individuals personality. We may speak of an embodied socialization, because the specific human faculties can only develop in the course of mutual interaction and cooperation, through which they are imprinted on the organic growth processes of the brain.” (Fuchs, 2011, p. 210-11)

• THE EXPERIENTIAL GROUND/SPACE

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RESEARCH GATHERING 3/3

CO-SENSING

– reflective dialogue
– silence

CONTEXT

SPT RESEARCH GATHERING, Denmark
January 28-30, 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

MA

A LIMINAL GAP

Leaving the process – having no plans of following up the investigation (becoming the first section of research journey) – not knowing if or when we might proceed.

 

A SENSE OF grasping the not yet known... and receiving a message from the living system.
The word MA basically means an interval between two (or more) spatial or temporal things and events. Thus it is not only used in compounds to suggest measurement but carries meanings such as gap, opening, space between, time between, and so forth. A room is called ma, for example, as it refers to the space between the walls; a rest in music is also ma as the pause between the notes or sounds.
Richard B. Pilgrim (1986)

• THE EXPERIENTIAL GROUND/SPACE

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WRITING RETREAT 1/3

INTROSPECTION

– treshold .... what now?
– individual introspection
– inspirational silence
– seeded space

CONTEXT

SPT RESEARCH WRITING RETREAT, Denmark
January 31 –  February 2, 2020

See program >>

 

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

UNLEARNING SPACE – SPACING UNLEARNED

It is necessary to unlearn space
in order to embody space.
It is necessary to unlearn how we see in order to see with
our bodies.
It is necessary to unlearn
knowledge of our body in three
dimensions in order to recover
the real dimensionality of our body.
Let´s dance space
let´s re-space our bodies.
Let´s celebrate the felt feeling
of presence.

 

Olafur Eliasson, 2014

• THE EXPERIENTIAL GROUND/SPACE

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WRITING RETREAT 2/3

TUNING IN
letting come

– reconnecting
– soft intent
– de-focused and inclusive openness
– revisiting the Stucks
– aesthetic gestures

CONTEXT

SPT WRITING RETREAT,
Denmark
January 31 –  February 2, 2020

See program >>

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section 5:
VISUAL SENSING
NOT KNOWING

Silence
Sense of letting come
Not knowing
All four one by one
unfolded aesthetic intuitive gestures connected to the Stuck excercise
(section 1-3)

Sense of trusting the openness of the proces, common physical space, playfulness, introspection, creative flow, no purpose, subtle collective intentionality, synergy, connectivity across diversity and individuality

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

an atmosphere of subtle intimacy

A situation is the situatedness of a living being towards its environment, and to grasp a situation means to grasp oneself in relation to it. This is mainly brought about:

– By one’s embodied being-in-the-world, implying proprioceptive, kinesthetic and sensorimotor experience
– By an integrated evaluation of the meaning and the options of a given situation, which is experienced as emotion
– In later and particularly human stages, by symbolic representations of the world, i.e. by language and concepts

Fuchs (2011)

JUHANI PALLASMA

ARCHITECTURE

Peripheral perception in existential experience

Atmosphere is the overarching perceptual sensory and emotive impression of a space, setting or social situation… It provides the unifying coherence and character for a room, space, place and landscape, or a social encounter. It is the “common denominator”, “the coloring” or “the feel” of the experiential situation.
(p. 20-21)

We grasp the essence of weather at a glance, and it inevitably conditions our mood and intentionality… This is an intuitive and emotive capacity that seems to be biologically derived. And largely unconsciously and instinctively determined through evolutionary programming.

• THE EXPERIENTIAL GROUND/SPACE

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WRITING RETREAT 3/3

CO-SENSING

– opening to the accumulated collective process
– creative visual resonance-sensing
– arrival of egg metaphor
– mandala in space
– departing to home base

CONTEXT

SPT WRITING RETREAT, Denmark
January 31 –  February 2, 2020

See program >>

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

starting the sensemaking process

from experience to verbal expression:

Synchronicity going linear (2nd person)

In our conversations we felt the distance between sensing the experience and expressing it collapse. All of us being silent in a group in which we have a shared intention is different from being silent while being on our own. Silence has a substantial feel to it and provides an action potential. The quality of silence, we are not looking for it, it is looking for us. We are about to cross a threshold to deeper creativity.

How can I recognize the markers of this threshold ?

I need to slow down. As soon as I invite the quality beyond the threshold, there is a thickening. I become heavier and my energy becomes thicker. And my heart is softening. Is it possible to speak from the threshold of words and thickened presence? Creating a visible result – writing a text one can read – and at the same time making hearts soften.

• THE EXPERIENTIAL GROUND/SPACE

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LIMINAL PHASE – part 1

COLLECTING EGGS

– reaching out
– individual journeys
– resonance egg metaphors
– everyday encounters
– visual practices & art
– staying in touch/tune

CONTEXT

SOCIAL MEDIA
connecting via WhatsApp
starting February 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

patterns of transformation

RITE of PASSAGE reflecting the U-MODEL

ANTHROPOLOGY

In this context it also makes good sense to interpret the U configuration as a parallel to the classic rite of passage, a situation which links important events (baptism, confirmation, marriage, burial, divine service, pilgrimage, etc.), through which people connect with their cultural mythology. In short a rite of passage unfolds as follows. It progresses from the reality of ordinary life to the passage, the way out (past sentinel and resistance) to the sacred, where the holistic link is confirmed. Here a creative fertilization is followed by a passage home (past sentinel and resistance) and you return to ordinary reality with renewed life force and inspiration.

Michael Stubberup / Steen Hildebrandt (2012)

Rite of passage model
Umodel_Otto_Scharmer

"no-mind"

MU-SHIN

PHILOSOPHY / ART

According to the Japanese philosopher Nishuda Kitaro, true creativity is not the product of a conscious effort, but rather the “phenomena of life itself”. True creation must arise from mu-shin, or the state of “no-mind”, a state beyond thoughts, emotions and expectations.

Tanchu Terayama, Zen Brushwork, 2003

CONTEMPLATIVE PRACTICES

JES BERTELSEN

When you investigate the awareness function, you will, according to Jes Bertelsen, Ph D., see the following:

Awareness has two directions. It is an openness which can take two pathways. One direction is extrovert, focusing on the object of attention. The peculiar aspect of awareness is that it is almost always based on something. Awareness consists in having a attentive attitude to a content. Actually the awareness is absorbed in its content. The great joyful opportunity of consciousness is that it can discover that the other direction of the awareness function is introvert, an observant introspection without a focus on an object. The innermost essence and nature of awareness is a non- representational, translinguistic, attentive openness. Just like the sun is a precondition for life and light in the external world, the source of awareness conditions cognition and meaning in the introspective world.

The U puts time, meaning, intimacy, silence, the source of awareness, and timelessness on the agenda. The U focuses on the necessity of the break, the relaxation of tensions, and openness; in short, it emphasizes the regenerative and reflexive deep breath of nature. You can use a great number of words to describe an attitude, which basically concerns a transition into openness without a great many words and concepts. We tend not to facilitate our own pathway into openness with words and rational communication. Great art and poetry are often expressions of profound cultural levels and can as such provide directions to the approach which Theory U essentially seeks to foster.

MS/SH (2012)

EXERCISE

CAPACITY TRAINING

The basic processes in the body and the autonomic nervous system – the breathing and the heart rhythm – are self-organizing – without “words/language” – when you want to bring this area into explicit knowledge it is necessary to train introspection – mindfulness or micro-phenomenology.

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• THE EXPERIENTIAL GROUND/SPACE

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LIMINAL PHASE – part 2

CORONA GAP

– absence of communication
– individual journeys
– disruption
– sense of global change

CONTEXT

ZOOM call 1
France
Switzerland
Denmark

April 16, 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

opening to a global heart-rhythm

the CORONA-GAP

JEREMY RIFKIN

ECONOMY / SOCIAL THEORY

A world in crisis needs a global leap in empathy.

OUR SENSING JOURNEY

The time-gap between February 21st and April 6th – 45 days – consisted of our four individual life-processes… and at the same time, the intention of our shared collective “womb” had its own evolution in a hidden dialogue with the Corona crisis... krisis in Greek... turning... meaning... difference... The first global human crisis in real time... We knew about it as it unfolded.

We were closing down societies – staying at home in isolation... Distance – unnatural behavior for/to homo sapiens... Conscious isolation and distance from other people as ways of caring...

We are learning that everything in the world is connected – and what you do makes a difference.

The big picture showed an open global heart rhythm... We shut down the market economy and most of the social activities to protect the old, sick and vulnerable people... Shared responsibility... Support and respect for the workers in the health sector...

• THE EXPERIENTIAL GROUND/SPACE

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META co-creation – step 1/3

EMERGENCE

– spontaneous silence
– call for paper
– intent to submit
– letting come

CONTEXT:

ZOOM call 1
France
Switzerland
Denmark

April 16, 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

from expression to explanation

Continuing and deepening the sense-making process

OUR ZOOM CONVERSATIONS
Deepening our capacity of seeing, sensing, sense-making (a dance between 1st and 2nd person perspectives)

We had long silences at the beginning and during our calls. Neither of us made a verbal request for these silences and neither of us invited the others in order to serve a need to facilitate these calls. When sharing our observations of this phenomenon in one of the conversations we found almost a description for it: We did not find silence, silence found us.

As a next step we shared openly how we felt our collective task, and how the current situation was for each of us. Realizing how working on our collective task with a shared intention was embedded in – and thus informed by – our individual experience (e.g., leading an overloaded life) led us to a deeper felt-sense of contentedness in our group.

During our calls we also practiced SPT together to find answers to the questions we had and to connect to emerging sparks from the future about how the final result of our work could look like. We noticed that we all felt a certain relief to practice SPT together and to take our time for the sense-making process. Small details revealed their relevance and we felt a different quality in our own feeling capacity and a wider range of understanding. We were reminded of the existential human experience that Martin Buber describes in his dictum, “A person only becomes a self in encountering the other“. (Martin Buber: Ich und Du. First published in 1923)

All these experiences where noticed with a certain sense of wonder and relief. We felt a rising confidence in allowing ourselves to focus on the capacity building aspects of the SPT practices. Our collective experience as it took form in our step by step conversations nourished our care for ourselves. Thus it could be seen as an ethical self development process in the tradition of Foucaults concept of self care / care for the self. (Foucault, M. (1997). Ethics, subjectivity and truth. New York: The NewPress.)

• THE EXPERIENTIAL GROUND/SPACE

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META co-creation – step 2/3

CRYSTALLIZING

– connecting to silence
– collecting crystals
– intuitive collective drawings
– unfolding of shifts

CONTEXT

Zoom & mails
France
Switzerland
Denmark

Submission
April 26, 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

CAPACITY TRAINING

NEUROPHENOMENOLOGY / PHYSIOLOGY

The concrete body is environmental interaction… the body implies behaviour space... first person process has been widely misunderstood as being inside an externally-observed body... first person process is bodily-implied environment interaction.

E. Gendlin (2009)

Cycles of Embodiment – we can distinguish three intertwined modes of embodiment which form the basis of the human mind:

1. Cycles of organismic self-regulation, engendering a basic bodily “sense of self”

2. Cycles of sensorimotor coupling between organism and environment, implying an “ecological self”

3. Cycles of intersubjective interaction, resulting in what may be called a “social self”

Fuchs (2011, p. 202)

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• THE EXPERIENTIAL GROUND/SPACE

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PROTOTYPING

– silence & co-sensing
– deep listening dialogues
– sharing and co-creating
– writings, drawings, models & theoretical references

CONTEXT

Zoom calls, shared drive, mails, WhatsApp
France
Switzerland
Denmark

towards submission
August 2020

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

The Paradigm Shifts

 The word paradigm originates in the Greek ‘paradeigma’, which signifies prototype or pattern. Present day use of the concept stems from this sense of the word – a mind-set or a system of thoughts and connections. The concept of the paradigm is often associated with the American science philosopher Thomas H. Kuhn (1922-96). In the work The Structure of Scientific Revolutions the concept of the paradigm is formulated in this context for the first time. In his book a paradigm is described as a cumulative pattern of concepts and arguments shared by a group of scientists. A widespread scientific concept is that a paradigm creates patterns and is identified via some basic thoughts and assumptions about science and reality. A paradigm is a comprehensive formation of theories and a general view of the world which is shared by the scientific community.

There are at least four preconditions, which must be fulfilled if a new paradigm is to replace an older:
1) A crisis must occur which the old paradigm cannot solve
2) The new theory must be able to point to a solution of the problems
3) The new theory must be operational
4) The new theory must have ways and means of influencing relevant decision-makers and people in power

MS/SH (2012)

• THE EXPERIENTIAL GROUND/SPACE

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"A STILL PHOTO"

RESEARCH JOURNEY

– at this moment in time
– ongoing living process
– making sense-able
– accumulative process
– significant markers

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• SUBLAYERS of ONTHOLOGY, CONTEMPLATIONS, FIELDS OF RESONANCE

SENSING RESEARCH PARADIGM-SHIFTS

Where have we arrived at so far in our collective journey?

Standing where we are and taking a look on what we have created feels like watching a fan spread. The path ahead of us is spreading into at least 3 or 4 paths.
1. The path of mindfulness and awareness of our social body of 4
2. The path of questions that have come up
3. The path of resonances and associations that lead to certain hypothesis
4. The path of meta-reflection

The path of mindfulness and awareness of our social body of 4
Our social body is not only rooted in the individual – it is rooted in the relational and the shared space. Through a certain degree of self organization or autopoiesis we have reached a beginning quality of sympoiesis. A social body that is able to move in the direction of a collective intention needs a certain synchronicity among the individuals forming this body by their relations to each other. Exploring individual experiences and their resonances and interconnectedness in a social body we co-create is in accordance with Foucault‘s idea of self care or care for the self. We learn about our strengths and about our blind spots – connects to vulnerability and make it a central part of the journey. We became conscious of ourselves and of the resonances we create in and receive from others.

The path of questions that have come up
Who could an awareness-based researcher be? How will the shift in our felt senses of ourselves and of our small social body unfold? With these changes of self and work unfolding, what effects could we create in the world?

The path of resonances and associations that lead to certain hypotheses
At one point of our collective journey we were discovering underlying shared experiences in our personal lives - living an overloaded life in the present situation. Sharing this leads to a certain synchronization of our minds and hearts on an unconscious level. Doing a Seed Dance together on the higher potential of our co-creation, which in this case was about writing this article, completed the deeper understanding of our social body by adding the embodied experience, by deeply becoming aware of the somatic level. We were becoming conscious of the inner condition of our small social body which is based on our individual inner conditions and going beyond. What we can do as a collective is informed by the more or less unconscious inner condition of the social body we are part of. The collective inner condition is based upon our individual inner conditions. There is a relation between the individual and the collective levels. To change the way we go about doing things together, we have to change our individual inner condition, to change our inner condition we first have to become aware of our inner condition, of our current state of mind, of our level of consciousness that shows in the quality of our actions.

Our hypothesis is that doing integrated awareness – holding 1st, 2nd and 3rd person perspective at the same time make you embodied. Doing it together in a group of four establish the social body. Doing integrative awareness together in a group of four with a commitment to something beyond yourself gain access to the collective field of awareness – silence and presence.

Our hypothesis is that integrated awareness set out explicitly what the vagal brake do implicit in the autonomic nervous system all the time – a potential waiting.

The path of meta-reflection
Shared silences that found us during our online calls created an atmosphere of deep trust and confidence. The camera slowly turning back on our social body revealed our endured tension between pressure and frustration – having to deliver a serious result by a certain point in time – and joyful play – discovering the pleasure of diving into the unknown together with a sense of wonder and awe. A sense of vulnerability. The inner gesture being identified as an intention of becoming more whole. We are less hiding. Becoming specific about describing it feels like a daring adventure. Our unconditional confidence is put to the test now. Do we really have the courage to publish a prototype/work in progress? Can we honour our own not-knowing-proces?

The movement is going from and back between crystallizing ideas and prototyping them by creating visuals and text. And back again to the left side of the U. Sensing into our ideas, our observations, our felt senses during our calls and our practices together – Stuck Dance, Visual Practice, Seed Dance. Felt senses emerging. Letting go always an option. Letting come aesthetic sparks to find a viable language. The submission date coming closer. In the moment of having to act in an instant we are becoming aware of the complexity of our task and of our journey together. We are co-creating a submission, meta-reflecting as we walk, being/living the material of our own research. Observed observers. Investigated investigators. We are awareness-based researchers.

Are we awareness-based researchers?

LIST OF REFERENCES